After exposure, the photographic printing paper which still appears blank is ready to be processed. Filters, usually thin pieces of colored plastic, can be used to increase or decrease an image's contrast the difference between dark tones and light tones. When making black-and-white prints, a safelight is commonly used to illuminate the work area. Another use for a darkroom is to load film in and out of cameras, development spools, or film holders, which requires complete darkness. Some large format photographers, such as Edward Weston , make only contact prints of their large 4x5", 5x7", 8x10" or larger negatives.
There are a variety of other, additional steps a photographer may take, such as toning. The print is then washed to remove the processing chemicals and dried. Color print paper, being sensitive to all parts of the visible spectrum, must be kept in complete darkness until the prints are properly fixed. After exposure, the photographic printing paper which still appears blank is ready to be processed. In most darkrooms, an enlarger , an optical apparatus similar to a slide projector, that projects light through the image of a negative onto a base, finely controls the focus, intensity and duration of light, is used for printmaking. When making black-and-white prints, a safelight is commonly used to illuminate the work area. Lacking a darkroom, a photographer can make use of a changing bag , which is a small bag with sleeved arm holes specially designed to be completely light proof and used to prepare film prior to exposure or developing. Darkroom equipment[ edit ] A portable darkroom in 19th century Ireland. Filters, usually thin pieces of colored plastic, can be used to increase or decrease an image's contrast the difference between dark tones and light tones. Some large format photographers, such as Edward Weston , make only contact prints of their large 4x5", 5x7", 8x10" or larger negatives. The paper that has been exposed is processed, first by immersion in a photographic developer , halting development with a stop bath , and fixing in a photographic fixer. Another use for a darkroom is to load film in and out of cameras, development spools, or film holders, which requires complete darkness. A sheet of photographic paper is exposed to the light coming through the negative photography , resulting in a positive version of the image on the paper. Since the majority of black-and-white papers are sensitive to only blue, or to blue and green light, a red- or amber-colored light can be safely used without exposing the paper. One method of photographic printing, called "split filter printing," is where the photographer determines two separate exposure times using two separate filters typically a 0 or 00, and a 5 to create a single print. The wet collodion photography process, used at the time, required that the image be developed while the plate was still wet, creating the need for portable darkrooms such as this one.
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